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On the Road Again: Chasing Trucks Around Europe

September 15, 2026

TL;DR

Three of us spent one week filming customer stories in the Netherlands, Italy and France, for the opening film of Geotab’s first Connect Europe conference in Barcelona. The only casualty was the slate.

This spring, Andrew, Kaitlyn and Callan flew to Europe with the most efficient multi-camera package we could build. The assignment was one week, three countries, three customer stories, all of it feeding the video that would open Geotab’s first Connect Europe conference in Barcelona. Everyone else stayed home, on purpose. More on that later.

Interview setup at the Picnic depot in Amsterdam with rows of electric delivery trucks behind the subject
Our set at the Picnic depot. One interview chair, a hub full of electric trucks.

The Ask

Open Geotab’s first Connect Europe conference with three customer stories. The customers happened to be in three different countries. The calendar gave us one week.

Geotab makes the technology that keeps track of the world’s work vehicles. Founded in Oakville, Ontario, they connect millions of vehicles and process billions of data points every day, telling fleets where their trucks are, how they’re driven and when they’ll need service. We’ve worked with them for years on explainers, training content and campaign work like Vision Zero, which took us to New York and San Francisco. Last fall we flew to London to film customer stories across the UK. So when they asked us to do it again at triple the scale, we didn’t have to think about it for long.

The Packing Math

We maxed out the airline baggage allowance to the kilogram and filled every rental SUV to the tailgate. Cameras and lenses travelled on their own passport, a customs document that lets film gear cross borders without drama, along with enough drives to back up ten terabytes of footage twice.

Sandbags and light stands don’t fly, though. The package our look required was van-sized, so we built a local crew in each country through fixers, the pros every travelling production leans on. Gaffers and grips arrived with the kit, the vans and the answers. Local crews know the roads, the plugs and the coffee.

A rented lighting van arriving at the EPNAK shoot in France
The rental SUV trunk packed tightly with camera gear

Rented lighting arriving on set in France, and the packing math working out.

Stop 1: Picnic in the Netherlands 🇳🇱

We landed in Amsterdam jet-lagged and scouted the location that same afternoon. Then we grabbed bikes, rode into the city, and ate what we all still agree were the best tacos of our lives. The jet lag never stood a chance.

Handlebar view riding a red bike lane in Amsterdam
Tuna tostada on a blue plate at an Amsterdam restaurant

Amsterdam by bike, and the tacos in question. We stand by the claim.

The story we came for was Picnic, an online supermarket that delivers groceries across the Netherlands, Germany and France in tiny electric trucks that might be the most charming fleet vehicles on Earth. Picnic runs 5,000 of them, all electric, across more than 200 hubs in three countries. That is not an exaggeration. They have moustaches.

Three Picnic electric delivery trucks in a row, two with moustaches painted on their fronts
Exhibit A.
Arc Media crew in high-visibility vests working the interview setup inside the Picnic depot
A Picnic electric delivery truck loaded with crates inside the depot

High-vis crew, low-riding star.

We filmed three interviews with a consistent setup inside the depot, trucks lined up behind every frame, then spent the rest of the day chasing b-roll of them threading through Dutch streets.

The finished cut. Picnic’s story, from the depot to the bike lanes.
Cyclists passing a colourful hammock cafe at dusk in Amsterdam
Wrap time in Amsterdam. Hammocks, fairy lights and the evening commute. We have history with hammocks.

Stop 2: Lactalis in Italy 🇮🇹

Then Milan, our base for the Italian leg. This story belonged to Lactalis, the largest dairy group in the world. Their Italian fleet runs about 1,800 refrigerated vehicles that keep milk, cheese and yogurt on shelves across the country.

Arc Media crew member walking through the courtyard of Sforza Castle in Milan
First hours in Milan. The castle was not on the call sheet.

It rained on our shoot day, which complicated everything the schedule was built around and gave the footage a moody, cinematic look we couldn’t have planned. Sometimes the weather does the colour grade for you.

Director monitor showing the Lactalis interview framed among warehouse racking, with frame guides for the ultra-wide screen
Through the monitor at Lactalis. The frame lines mark the safe zone for Connect’s ultra-wide stage screen.

The interview was in Italian, which none of us speak beyond “grazie mille.” The conference edit couldn’t wait for us to get home, so the audio flew to Waterloo that night, came back as a translation document by morning, and Geotab had the story confirmed before we boarded for France.

Arc Media crew adjusting the camera during the Lactalis warehouse shoot
Setting the frame.
The finished cut. The Lactalis story, in Italian.
Arc Media crew member with a large plate of Parma prosciutto
Two Arc Media crew members laughing over pizzas in Milan

Field research. Prosciutto in Parma, pizza in Milan.

The schedule gave us a weekend between shoot days, and Andrew turned a rest day into a 36-hour side quest to snowboard in Laax.

A ribbon of snow running through green grass with a crowd at a spring ski event in Laax
Gondolas over green fields and melting snow in Laax

Spring laps on a ribbon of snow through green grass. Worth the detour.

Stop 3: EPNAK in France 🇫🇷

The last leg took us into the countryside near Auxerre, and France was, in a word, beautiful. This story was EPNAK’s, a public organization that supports people with disabilities across France and runs more than eight hundred vehicles getting the students and workers it serves where they need to be.

We scouted from the roadside on the drive in, rebooked our hotel that night to be closer to set, and shot the final story the next morning. The call sheet from home carried one firm instruction. Release the driver by 2:00 pm. He had a two-and-a-half-hour run back to Paris, and overtime is overtime in any language.

Crew member silhouetted at an autoroute rest stop window overlooking the French highway
Two crew members photographing a plate of escargots at a French restaurant

The autoroute lunch stop, and the escargots that required documentation.

Arc Media crew member walking past wisteria on a lane in Auxerre
Evening in Auxerre, wisteria season.
Auxerre cathedral at sunrise reflected in the Yonne river
Auxerre at sunrise, from the banks of the Yonne.
Softbox and interview setup in a bright room at EPNAK in France
The interview build at EPNAK. Soft light, one couch, one morning to get it right.
The finished cut. EPNAK’s story, from the countryside outside Auxerre.

The Part You Don’t See

A three-person crew only works when the team at home is anything but lean. While we were on the road, our producer was rebooking hotels and building call sheets from Waterloo, our production manager was wrangling gear suppliers in two languages, and interview audio was becoming translation documents within hours of wrap. Three people held cameras. The whole team made the trip.

We touched down in Toronto on a Thursday night, and the drives were plugged into the ingest station before midnight. A month later the three stories were cut into one anthem to open Geotab’s first Connect Europe in Barcelona.

The anthem. Three countries, one opener, built for Barcelona.

Final tally. Three countries, three customer stories, roughly ten terabytes of footage, and exactly one piece of gear lost or damaged along the way. It was the slate.

A film slate chalked with Driver, EPNAK and the crew names
The trip’s only casualty. It gave everything.

About the client

Geotab was founded in 2000 by Neil Cawse in Oakville, Ontario, and has grown into a global leader in connected vehicle and asset management: roughly six million connected vehicles and assets worldwide, one hundred billion data points processed every day, and a team of more than 2,700 people.

Arc Media is a video production company in Waterloo, Ontario. We create brand films, customer stories and event videos for technology companies at home and, occasionally, across an ocean.

More from us: Vision Zero, our earlier story with Geotab.

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